History of the Russian Mennonites

Singing: survival and salvation 1) Language change, 1767, Danzig : Flemish Elder Hans van Steen published A Spiritual Hymnal for General Edification, designed also for private and family settings to “awaken devotion and edification,” and in particular for the youth—that they may “not use it out of mere habit, but rather for the true uplifting of the heart” ( note 1 ). 2) Revivalism, 1850s . The influence of Eduard Wüst--revivalist minister installed by nearby separatist Evangelical Brethren--on the Mennonites was “boundless,” according to State Councillor E. H. Busch. “Satan is not entitled to present his own as the most joyful.” His people “sing, jump, leap ( hüpfen ) and dance,” while the Christian appears “cheerless and stooped over. … Why, when one opens a song book, are hymns about the cross and affliction chosen almost instinctively instead of songs of praise and thanksgiving? Isn’t the devil also having his fun in all of this?” Mennonite Brethren historian P.M. Friesen called

In 1843 the Russian Mennonite colonies received a visitation from the London Bible Society. It was the same year that Charles Dickens published "A Christmas Carol" about the miser Ebenezer Scrooge and his conversion after the visitation of three Christmas ghosts! Dickens was not happy that the Church’s overseas mission budget was so large, while in his view they neglected the poor on their own doorsteps in London. Ebenezer was in fact a common British name of the era. A few years earlier the Molotschna was visited by a delegation from the British and Foreign Bible Society. The British agent, Reverend Ebeneezer Henderson, convinced Molotschna elders and Johann Cornies to establish their own Bible Society. "As they live on habits of friendship and intimacy with their Tatar neighbours, and one of their principal men [Cornies] speaks the Tatar with fluency, we furnished him with a good supply of New Testaments, and other portions of Scripture, in that language, that they m

Arguably the most significant outside religious influence on Mennonite s in the 19th century was the revivalist preaching of Eduard Wüst, a university-trained Württemberg Pietist minister installed by the separatist Evangelical Brethren Church in New Russia in 1843 ( note 1 ). With the end-time prophesies of a previous generation of Pietists (and many Mennonites) coming to naught, Wüst introduced Germans in this area of New Russia to the “New Pietism” and its more individualistic, emotional conversion experience and sermons on the free grace of God centred on the cross of Christ ( note 2 ). Wüst’s 1851 Christmas sermon series give a good picture of what was changing ( note 3 ). His core agenda was to dispel gloom (which maybe could describe more traditional Mennonites) and induce Christian joy. This is the root impulse of the Mennonite Brethren beginnings years later in 1860. “Satan is not entitled to present his own as the most joyful.” His people “sing, jump, leap ( hüpfen )

By 1860, the mix of entrepreneurial individualism, exposure to new ideas and horizons, intellectually and emotionally compelling preaching of conversion by Eduard Wüst a university-trained Württemberg Pietist minister installed by the nearby Separatist Evangelical Brethren Church, community dysfunction and lack of common vision, growing social and economic disparities, rumours of restlessness and revolution among Russia’s serfs, authoritarian leadership and moral laxity—were all part of that context in which eighteen Mennonite men felt compelled to submit a “Document of Secession” to the Molotschna Elders, dated January 6, 1860. They pointed to the “decay of the entire Mennonite brotherhood,” with examples of baptized brothers who at the annual fairs “serve the devil” in their public misdeeds, and of the ministers who watch and sit idly by ( note 1 ). “It was very natural that with such a decay of church, faith and morals, a reaction set in,” with individuals demanding “an end to the