History of the Russian Mennonites

Singing: survival and salvation 1) Language change, 1767, Danzig : Flemish Elder Hans van Steen published A Spiritual Hymnal for General Edification, designed also for private and family settings to “awaken devotion and edification,” and in particular for the youth—that they may “not use it out of mere habit, but rather for the true uplifting of the heart” ( note 1 ). 2) Revivalism, 1850s . The influence of Eduard Wüst--revivalist minister installed by nearby separatist Evangelical Brethren--on the Mennonites was “boundless,” according to State Councillor E. H. Busch. “Satan is not entitled to present his own as the most joyful.” His people “sing, jump, leap ( hüpfen ) and dance,” while the Christian appears “cheerless and stooped over. … Why, when one opens a song book, are hymns about the cross and affliction chosen almost instinctively instead of songs of praise and thanksgiving? Isn’t the devil also having his fun in all of this?” Mennonite Brethren historian P.M. Friesen called

Already in 1671, Mennonite Flemish Elder Georg Hansen in Danzig published his German-language catechism ( Glaubens-Bericht für die Jugend ) as preparation for youth seeking baptism. Though educational competencies varied, Hansen’s Glaubens-Bericht assumed that youth preparing for baptism had a stronger ability to read complex German than Dutch ( note 1 ). Popular Mennonite preacher Jacob Denner (1659–1746), originally from the Hamburg-Altona Mennonite Church, lived in Danzig for four years in the early 1700s. A first volume of his Dutch sermons was published in 1706 in Danzig and Amsterdam, and then in 1730 and 1751 he published two German collections. Untrained preachers would often read Denner’s sermons: “Those who preached German—which all Prussian preachers around 1750 did, with the exception of the Danzig preachers—had no sermons books from their co-religionists other than this one by Jacob Denner” ( note 2 ). In Danzig and the Vistula Delta region there were some differences